Oil Paintings – Its Mardan http://itsmardan.com/ Tue, 19 Oct 2021 13:50:29 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 http://itsmardan.com/wp-content/uploads/2021/05/its-mardan-icon-150x150.png Oil Paintings – Its Mardan http://itsmardan.com/ 32 32 Local News: Social Chamber hosted at First State Community Bank, MVC art is a special feature (10/19/21) http://itsmardan.com/local-news-social-chamber-hosted-at-first-state-community-bank-mvc-art-is-a-special-feature-10-19-21/ http://itsmardan.com/local-news-social-chamber-hosted-at-first-state-community-bank-mvc-art-is-a-special-feature-10-19-21/#respond Tue, 19 Oct 2021 13:50:29 +0000 http://itsmardan.com/local-news-social-chamber-hosted-at-first-state-community-bank-mvc-art-is-a-special-feature-10-19-21/

Bank employees, guests and members of the Marshall Chamber of Commerce mingle at a monthly party held at the First State Community Bank on Thursday, October 14.

Sarah Gray / Democrat-News

The oil paintings, photography and mixed media art of Missouri Valley College art students were on display at a Chamber of Commerce social gathering at the First State Community Bank on Thursday evening, October 14.

Several senior MVCs were there to talk about their jobs as chamber members, bank clerks and friends mingled.

?? We all do a little bit of everything, but I mostly do graphics, ?? said art student Rilee Stewart. The courses in the art department, they make us do a bit of everything, but we paint, we do printmaking, we draw. And then of course, there are graphic design courses for graphic design majors. But whatever major we do, they kind of allow us to blend in with our other classes. So I can take graphic elements and mix them into my paintings. And ditto for the drawing and any other course. It’s really cool. They really let us work with our primary medium and do things that we are happy with.

Art students from Missouri Valley College take a photo at First State Community Bank, where their work will be on display throughout October. In the photo (left to right), graphic design student Madison Vogelsmeier; art student Carson Rauschenberg, who paints in oils and watercolors; Assistant Professor of Studio Art Sara Fletcher; and Rilee Stewart, who also focuses on graphic design.

Sarah Gray / Democrat-News

The art department was invited by the bank to exhibit their works, according to Studio Art assistant professor Sara Fletcher, who seemed thrilled by the idea. She said the pieces will be on display throughout October.

?? We have 35 to 40 art majors at all times, ?? Fletcher noted. ?? And we have studio art and graphic design. Graphic design makes up about two-thirds of the majors, so it’s the biggest major right now.

Senior Madison Vogelsmeier is another graphic design student, although she tends to work in mixed media, including photography. She said that using some of the beginner art classes helps more than art majors.

Bank staff and guests mingle with the First State Community Bank in a Chamber of Commerce social meeting on Thursday, October 14.

Sarah Gray / Democrat-News

?? He helps everyone, as a whole, ?? Vogelsmeier said. ?? For example, I am doing a double specialization in marketing and graphic design. Using marketing and using the fundamentals of design has helped me a lot. See different goals and ideas in the world of marketing. I should also be okay with the science of exercise ?? they need the basics of art, because art is what makes everything together. If it’s not art, then you will have nothing but words. We are working hard to create the visuals for anyone who wants to see it. ??

That evening, the guests at the social had a better opportunity to see what the students were working on. It also gave them the opportunity to network and come together as community-driven businesses.

The Marshall Chamber of Commerce holds a monthly social event at various chamber businesses. The First State Community Bank joined the Marshall Chamber of Commerce in 2017. An official groundbreaking ceremony was held on September 8 of the same year. She moved to the Marshall site after buying another bank in the spring of 2017.

?? The social was a huge success, ?? House Manager Mary Ann Piper said. ?? Many thanks to First State Community Bank. Jamie (Welton) has done a wonderful job and we are so happy that they are part of the community and the House. We hope to see more people at Springwater Social in November. ??

The vision of First State Community Bank is to help every customer achieve financial success.

?? It could be a new home, it could be starting a new business, or it could even be maintaining a checking account properly, ?? the bank stated on its website. ?? Wherever you are on your journey, our tools and our team will be your guide.

The FSCB opened in 1954 and continues to focus on neighbor-to-neighbor banking. It is located at 1035 Cherokee Drive, in Marshall, near the intersection of College Avenue and US Highway 65. The lobby is open 9 am to 5 pm Monday through Friday and 9 am to noon on Saturday.

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Barbara Winiarski – KC Obituary http://itsmardan.com/barbara-winiarski-kc-obituary/ http://itsmardan.com/barbara-winiarski-kc-obituary/#respond Mon, 18 Oct 2021 07:01:20 +0000 http://itsmardan.com/barbara-winiarski-kc-obituary/

Barbara Dvorak Winiarski, co-founder of Stag’s Leap Wine Cellars, artist, curator and philanthropist, passed away peacefully at her home in Napa Valley, Calif., On October 8, 2021.

Barbara was born and raised in Baltimore, Maryland, and spent her childhood summers near the shores of the Chesapeake Bay. Artist at heart, Barbara first learned to paint from her father, who introduced her to oil painting and brush maintenance from a young age. Her love for art grew in middle and high school, where she learned to work with different mediums and styles. His inspirations were the expressions of human life by Michelangelo and the portraits of Vermeer and Rembrandt.

Barbara intended to major in art and art history after high school, but chose to pursue liberal arts and philosophy at St. John’s College in Annapolis. She chose St. John’s, despite her parents’ desire for formal training as a painter, because, in her words, she “wanted to know everything.” Barbara signed up with the college’s first group of women, and it was there that she met her future husband, Warren Winiarski.

With dreams of a new life in wine, in 1964 the Winiarski family moved from Chicago, where Warren and Barbara were studying and teaching at the University of Chicago, Napa Valley, California. In 1970, the Winiarskis bought a prune orchard in what would become the Stags Leap District, and Barbara and the children worked alongside Warren to establish a new winery there. They named it Stag’s Leap Wine Cellars. Their first commercial release from the new facility, Cabernet Sauvignon SLV 1973, would rank first among red wines in the now famous 1976 Paris Judgment tasting.

The Winiarski’s early years in Napa Valley were spent advocating for the then radical idea of ​​creating an agricultural reserve to protect the valley from the urban sprawl that was rapidly wiping out farmland in most other northern counties. California. Since then, the Winiarskis have endowed the Land Trust of Napa County with nearly 200 acres of property, which will never be developed. In 2017, the couple received the Acre by Acre Award from the Land Trust of Napa County.

Barbara and Warren have also supported the National Museum of American History at the Smithsonian for over 25 years. Their generosity helped establish the museum’s American Food and Wine History project in 1996, as well as the subsequent “FOOD: Transforming the American Table 1950-2000” exhibition, in 2012. In 2021, with the mission of supporting history food and wine. for generations to come, the Winiarski Family Foundation has donated $ 4 million to establish a permanent position as curator of food and wine history at the National Museum of American History.

The couple made a transformational $ 50 million donation to their alma mater, St. John’s College – the largest donation in the institution’s history – to ensure affordable tuition fees for future students. The 2019 Winiarski Family Foundation donation established a challenge grant that has already reached its goal of $ 50 million in matching funds.

Most recently, in October 2021, a donation of $ 5.1 million from the Winiarski Family Foundation to the Providence Queen of the Valley Medical Center funded the Winiarski Stroke and Diagnostics Center, a 208-bed acute care facility. in Napa. They also donated to NEWS (Napa Emergency Women’s Services) and Samaritan Family Shelter, two causes strongly supported by Barbara personally.

Barbara’s passion for art caught her eye throughout her life, although a busy schedule as a wife, mother, and cellar owner often left her with little time to paint. After a break, Barbara resumed her brushes in 1980, focusing on portraits of her children and loved ones. Old photographs were also used to represent six generations of family members. Barbara’s paintings have been described as “having an irresistible intimacy.” They capture moments from people’s everyday lives while drawing the viewer into a space of contemplation. Her life’s work was published in the 2018 book, Passages, which includes exquisite photographs of her paintings.

Barbara’s lightest but no less passionate pleasures were gardening, fishing, bird watching, and classic British mystery stories.

Beloved wife of Warren Winiarski. The very dear mother of Kasia (Jim), Stephen (Shahnaz) and Julia. Cherished grandmother of Gabe, Noah, Matin, Arren, Kiann and Maia.

In lieu of flowers, please consider a gift in Barbara’s name to one of these organizations:

Napa Emergency Women’s Services (NEWS)

Olé Clinic (Olé Santé)

Napa Valley Food Bank

Samaritan Family Refuge (CANV)

Chesapeake Bay Trust

Please save the dates between Thursday October 21 and Saturday October 23 for services. Details to follow.

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Man finds old abandoned mansion with hundreds of cars, beautiful paintings and luxury furniture, shares excerpt http://itsmardan.com/man-finds-old-abandoned-mansion-with-hundreds-of-cars-beautiful-paintings-and-luxury-furniture-shares-excerpt/ http://itsmardan.com/man-finds-old-abandoned-mansion-with-hundreds-of-cars-beautiful-paintings-and-luxury-furniture-shares-excerpt/#respond Sat, 16 Oct 2021 21:42:18 +0000 http://itsmardan.com/man-finds-old-abandoned-mansion-with-hundreds-of-cars-beautiful-paintings-and-luxury-furniture-shares-excerpt/
  • Man identified as Steve Ronin found abandoned millionaire’s old mansion containing luxury items
  • According to the creator of the video, the property has hundreds of cars, beautiful furnishings as well as luxury items.
  • Said to have been abandoned in the 1900s, the mansion still looks solid despite its scattered condition

A man surprised the internet with a video capturing an old abandoned mansion he recently found.

The creator of the video, Steve Ronin, along with two friends, toured the property and were in awe of what they found.

The property was reportedly abandoned in the 1900s. Photo credit: Screenshots from video shared by Steve Ronin
Source: Facebook

From the video shared on Facebook, luxury furniture and home furnishings, as well as beautiful paintings, were spotted.

The mansion has a car yard of over 100 whips

Steve, who said the mansion could have been abandoned in the 1900s, also found scattered bank statements that showed the mansion’s runaway owner was heavily in debt.

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Over 100 cars were also scattered around the mansion, including whips like Volkswagen Beetle, Lincoln Continental, among others.

The fleeing family literally left everything behind.

Mixed reactions hang out in the video

Audra Fobbs noted:

“Believe it or not, these frames and oil paintings can be restored. I’ve seen frames up for auction. The certain type of ink you know, oh my god I’m dying to inside right now looking at this. “

Letty Cecilia Zamora-Serujo thought:

“There were a few houses abandoned due to black mold and the owners couldn’t take anything because everything was infected and it was fatal. Be careful, these places were abandoned for a reason.”

Frii Holike wrote:

“Vanity over vanity, all is vanity. No matter how much we gain in this world, we will all leave it and go. The only thing that can last is when we have Jesus. I was a good video to watch. Mr. ‘made you think. Thank you. “

Read also

Igbo people use funerals to milk you: actress Mary Lazarus laments, recounts her experience after her mother’s death

Elisée Agbo said:

“I believe this place is protected for historical reasons, if not, what about their descendants who should inherit all of this. The family line cannot be completely wiped out even if there was an epidemic. ‘Is it with distant relatives and their descendants down the line? Or maybe there was a mini rapture in their space. “

Joy as a man finds his stolen car 19 years ago

During this time, Legit.ng previously reported that a man found his car stolen 19 years ago.

The emotional man took to his Twitter page to share his happiness.

According to him, the beautiful car was stolen in Portland, South Africa, from the doctors’ quarters of a hospital. He couldn’t believe his ears when the police called him and told him his car had been found.

However, while the man was thrilled to get his old whip back, he has since moved on to a bigger and better car. But he was grateful that his old car had been found.

Source: Legit

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Internal and external worlds collide in the psychologically charged art of Norma Tanega http://itsmardan.com/internal-and-external-worlds-collide-in-the-psychologically-charged-art-of-norma-tanega/ http://itsmardan.com/internal-and-external-worlds-collide-in-the-psychologically-charged-art-of-norma-tanega/#respond Fri, 15 Oct 2021 20:28:56 +0000 http://itsmardan.com/internal-and-external-worlds-collide-in-the-psychologically-charged-art-of-norma-tanega/


Drugs, for better or for worse, are a central theme in Norma Tanega’s current exhibit at White Columns, at the late artist’s first New York exhibit. Interior landscapes: Paintings 1967-2005 includes 19 paintings, half of which are abstract landscapes and the other half are metaphysical self-portraits inspired by various prescription drugs or the mental states they induce and their lingering effects.

Despite the purported antidepressant effects of Wellbutrin, “Medicine Head (Wellbutrin)” (2005) suggests otherwise. A colorful bearded face is painted as if it is melting. He looks tired, dejected, and in full failure mode. Likewise, the face of “Zoloft” is made up of brightly colored regions – a map of emotional territories – the subject’s true identity is immersed somewhere deep within him.

Installation view of Norma Tanega: Interior landscapes: Paintings 1967-2005 at White Columns, New York (photo: Marc Tatti, courtesy of White Columns)

Tanega, who died in 2019 at the age of 80, has always had to navigate a hyphenated identity. She identified herself as a lesbian, painter, poet and musician, composing songs and playing piano and guitar. Her mother was Panamanian and her father Filipino. Although she was already a stage musician as a teenager, she was also engaged in the fine arts, obtaining a master’s degree in fine arts in 1962. From that point on, she alternated her musical and artistic career.

In 1966, she had a surprise hit song with “Walkin ‘My Cat Named Dog”. Then, after touring Europe and a five-year relationship with singer Dusty Springfield, she returned to her native California, where she lived a low-key life, dividing her time between teaching, painting, and music.

Display of ephemera in Norma Tanega: Interior landscapes: Paintings 1967-2005 in White Columns, New York (courtesy White Columns and the Estate of Norma Tanega)

For the most part, the energetic colors of Tanega’s sorbet are reminiscent of the artwork of other celebrities who have maintained a parallel practice in the visual arts, for example Bob Dylan, Joni Mitchell, and Henry Miller. In such cases, it’s hard not to read the autobiography in every brushstroke. Tanega’s approach to tagging comes across as a flow of consciousness, as if she’s engaged in a conversation with herself, not with the outside world, or art history, for that matter. A sense of listening to her inner self permeates this show, and that’s one of the reasons the show is worth seeing.

Norma Tanega, “Butoh” (1980-1997), oil on canvas, 30 x 24 1/8 in.

The most revealing work is his oil painting “Hydrochlorothizade” (2005–6), named after a drug that treats water retention and bloating. It represents a vibrant and multicolored head that seems to open wide. The top of the head is a swirl of psychedelic colors and shapes, but the eyes are empty.

When looking at the abstract landscapes that make up the other half of the exhibition, it seems clear that Tanega is using the landscape as a metaphor for the mind. Although they contain shapes that read like mountains or hills, there are no landmarks, trees, buildings, animals, or people. In the absence of such known things, paintings like “Ondulation” (2004-5), “Internal Landscape” (1997), “Beyond the Dumping Ground” (2004) all involve a world of personal feelings and reflections, made perhaps more for herself than for her audience.

Norma Tanega: Interior landscapes: Paintings 1967-2005 continues at White Columns (91 Horatio Street, Manhattan) through October 16. The exhibition was organized in collaboration with Matt Werth.

From Monday, readers can borrow one of the 50 rare and out of print titles, which are mailed to them free of charge at the Saint-Héron Library.


This is the great gift of Yuskavage, overturning our well-established ways of thinking and seeing and, with ease, transforming the vulgar and the ridiculous into the sublime.


While this is hardly the pandemic or one of the other crises that plague us, all are touched upon in this exhibit, which is also often tender and deeply moving.


These bright and vibrant works of art replicate something of Bosch’s chaotic energy, but on an immersive, multisensory scale.


This week, tackling a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic approach to modern art, and more.


The story of a kidney and the drawing of a knee evoke centuries-old arguments about plagiarism and appropriation.


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In ‘Hyperblack Show’, Johnny Floyd asks us to reconsider our view of blacks http://itsmardan.com/in-hyperblack-show-johnny-floyd-asks-us-to-reconsider-our-view-of-blacks/ http://itsmardan.com/in-hyperblack-show-johnny-floyd-asks-us-to-reconsider-our-view-of-blacks/#respond Thu, 14 Oct 2021 15:27:29 +0000 http://itsmardan.com/in-hyperblack-show-johnny-floyd-asks-us-to-reconsider-our-view-of-blacks/

“Hyperblack Spectacle,” a solo exhibition by Detroit artist Johnny Floyd at the Conduit Gallery, accomplishes what only the greatest art does: it takes something familiar – something we think we already know – and inspires us to reconsider our way of seeing the world. In this case, Floyd wants us to reconsider our way of seeing black people – and not just metaphorically. He wants us to see a black person as more than a melanistic-skinned human. “What if you could get a pair of glasses that would allow you to see a black person extradimensionally?” Floyd asks.

In the titular paint Hypernoir show, Floyd presents a figurative image of the head of a black man with golden face and neon orange and yellow hair, with a large bluish hand and salmon-peach fingernails that cover half of the face, fingers splayed to reveal an eye lined with red which looks directly at the viewer.

Johnny Floyd, Hyperblack Show, 2021, oil, acrylic and gold leaf on canvas at Hyperblack Show, the first solo exhibition of paintings by Detroit-based artist Johnny Floyd at the Conduit Gallery until November 13, 2021.

Seeing this painting you know that you are no longer in Kansas and you wonder if you are even on this planet, maybe not even in this galaxy. It’s as if Floyd has shed the literal idea of ​​darkness as a dark complexion and replaced it with a person’s aura. He sucked the internal energy out of his perception of blacks and made it external. It’s surprising and alchemical. The character appears more timid than confrontational – as if he’s not sure it’s okay to allow the viewer to see his true form. This perhaps reflects Floyd’s own personality right now, as the self-taught painter navigates what it means to have sold-out shows and work in the prestigious Two x Two art auction this month at The Rachofsky House.

Detroit-based artist Johnny Floyd, pictured in Dallas on October 9, 2021 for his exhibition Hyperblack Show at the Conduit Gallery through November 13, 2021.
Detroit-based artist Johnny Floyd, pictured in Dallas on October 9, 2021 for his exhibition Hyperblack Show at the Conduit Gallery through November 13, 2021.

There is an Afro-futuristic quality to this exhibit, and although Floyd loves both Octavia Butler and Blade runner, it would not necessarily fit into this formal tradition. However, the spirit and beauty of the idea that black people exist in the future permeates the show.

“We have to go to something outside [of our normal existence], imagine a space within a fantastic space, just to imagine ourselves existing, ”says Floyd. The reason why black artists often create alternate worlds can be seen in what happens when they tap into the past. In work Denmark’s scandalous fortune Vesey, we see a black Vesey, afroed on a peach background, with a dark purple face, a lighter purple nose, a red beard and light blue shoulders, with an arrow in the head.

Vesey was a slave black man in South Carolina who managed to win the lottery, and he used the lottery money to buy his freedom. He became a successful carpenter. Vesey was eventually hanged for allegedly leading an attempted slave rebellion. Floyd says the play was inspired by Shakespeare as well. Hamlet – in particular the famous speech “To be or not to be” – “if it is nobler in the spirit to undergo the slings and the arrows of a scandalous fortune.

Johnny Floyd, The Young Bol is an alchemy, 2021, oil, acrylic and gold leaf on canvas - will be in the Two x Two art auction at The Rachofsky House.
Johnny Floyd, The Young Bol is an alchemy, 2021, oil, acrylic and gold leaf on canvas – will be in the Two x Two art auction at The Rachofsky House.

This is not the only Shakespearean reference in the exhibition, with the play Talk about me as i am featuring a nude black male figure with pink features on a multi-colored curtain stage reminiscent of Othello’s last words. Examining the performativity of black male sexuality, the piece also references great conceptual artist Fred Wilson – and recalls how the over-sexualization of darkness and the performative insecurity that can accompany it can lead to self-death.

The first painting that we see when entering the living room is If they look like a portal, wear it like a necklace, which features the side profile of a bald black man with milk chocolate skin wrapped in an aluminum halo that doubles as an extravagant collar of his black sweatshirt against a golden ocher background. The collar / halo / hood looks like a mylar survival blanket – suggesting that the viewer’s gaze is something the subject must reflect and survive.

Johnny Floyd, The Light Within Me Recognizes the Light Within You, 2021, oil on canvas at Hyperblack Spectacle, the first solo exhibition of paintings by Detroit-based artist Johnny Floyd at the Conduit Gallery until November 13, 2021.
Johnny Floyd, The Light Within Me Recognizes the Light Within You, 2021, oil on canvas at Hyperblack Spectacle, the first solo exhibition of paintings by Detroit-based artist Johnny Floyd at the Conduit Gallery until November 13, 2021.

“The white male gaze can cost black men and children their lives, so I tried to paint it as a portal that allows us to escape that gaze,” says Floyd.

And he succeeded in “Hyperblack Spectacle” by creating paintings that can allow blacks to escape a singular and reductive gaze and cross into a colorful, transcendent and multidimensional world.

Details

Artist Johnny Floyd’s “Hyperblack Show” runs through November 13 at the Conduit Gallery, 1626 Hi Line Drive, Dallas. Tuesday to Saturday 10 a.m. to 5 p.m. conduitgallery.com.

Artist David Jeremiah has created new bodies of work that ask viewers to remove the “hood” of conversations about race and go beyond surface level.
Jeanine Michna-Bales, photographed at the Photographs Do Not Bend gallery, retraced the journey of Inez Milholland, an activist for women's suffrage at the start of the 20th century, for an exhibition which will run until November 13.
Henry Ossawa Tanner "The grateful poor," from 1894, shows a young boy and his grandfather with their heads bowed in prayer over a humble meal.  The exhibition of two paintings by Tanner continues through January 2 at the Dallas Museum of Art.  (Dallas Museum of Art)
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Mickalene Thomas’ loving and vigorous look at the black female form http://itsmardan.com/mickalene-thomas-loving-and-vigorous-look-at-the-black-female-form/ http://itsmardan.com/mickalene-thomas-loving-and-vigorous-look-at-the-black-female-form/#respond Wed, 13 Oct 2021 09:00:24 +0000 http://itsmardan.com/mickalene-thomas-loving-and-vigorous-look-at-the-black-female-form/

“Camden is not an easy place to live,” Thomas, whose name is Mickey, told me with his friends and family. “I took the first opportunity to go out without hesitation.” She dropped out of high school at age 17 and followed a girlfriend home to her home in Portland, Oregon. The girlfriend was five years older than she and Filipina; they met while they were working in a restaurant, where Thomas occupied tables and the girlfriend was a hostess. In Portland, they were living with the girlfriend’s parents – “we were on the DL,” Thomas said with a laugh – and Thomas graduated from high school. She initially thought she wanted to pursue art therapy, or maybe interior design, but a fateful vision in the early 1990s of Carrie Mae Weems’ “Kitchen Table Series” – in which Weems play and play with different roles of black femininity in the mainstream genre. family space – put her on the path to fine arts school. She returned to the East Coast and signed up at Pratt for her BFA. . “Being closer to home meant maybe she could work on her relationship with her mother.

“She’s always been very good at taking humble materials and imbuing them with that kind of nobility.”

Although she was inspired by Weems, Thomas initially sticks to painting and abstraction. It was a course requirement for her MFA at Yale that put her behind the camera, where she began photographing Mama Bush. It helped bring them together. Thomas also used the camera to investigate herself. A series of paintings and photos in which she appears as Quanikah, a hyper-female alter ego, show her trying out ways of being: type Mary J. Blige, with a blonde wig; a round girl with a braided square; a little girl with long acrylic nails and flower clips in her hair. It was a performance experience in the tradition of Weems and Cindy Sherman, but it was also the start of what would become a long conversation about adornment, presentation and perception.

In another series of paintings, Thomas used his own body as a model. It started with “Origin of the Universe, Part 1”, a piece referencing Gustave Courbet’s famous 1866 painting “The Origin of the World”, a study of a model’s vulva and lower torso. Unlike the original, Thomas’s figure has brown skin, but his goal wasn’t just to swap one shade for another. She applied rhinestones where the pubic hair was and along the folds and crevices of the vulva and inner thighs, so that the stones accumulate and shine on the crumpled sheets below – almost like stars, but also suggesting a fluid. Despite all of its glares, it’s an altogether more realistic examination of female anatomy in relation to desire, in part because she feels less tidy, her contours less controlled.

Historically, the use of materials like rhinestones in fine art was considered unsophisticated. Thomas made them his signature by taking them seriously. “When you think of someone like Caravaggio or Hopper, you think of the light,” she says. “So for me, what is a light source?” I am playing with a different type of light source. Its use of handcrafted materials for their sheen reminds me of African American quilts, like the ones made famous by the quilts from Gee’s Bend, Alabama, which use scraps of fabric for a striking textural effect. It also reminds me of my mom and aunts, who all loved to glow when going out for the night – a nod to a different kind of mastery.

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World Class Recital for Lancaster Hospice http://itsmardan.com/world-class-recital-for-lancaster-hospice/ http://itsmardan.com/world-class-recital-for-lancaster-hospice/#respond Tue, 12 Oct 2021 03:55:00 +0000 http://itsmardan.com/world-class-recital-for-lancaster-hospice/
Sue McGraw, CEO of St John’s Hospice, with Heather and Edward Cowie.

Performing music written between the 1660s and 2021s, Peter Sheppard Skærved performed beautifully on his 400 and 500 year old violins.

He created two new pieces – one written by himself based on Heather’s paintings, and another written by Heather’s husband, Edward, who is a composer.

Peter entertained between each piece with stories about the music, the composers and the makers of his violins.

Peter Sheppard Skærved.

This event was mainly organized by Australian artist Heather Cowie, who now lives in Cumbria. After a chance meeting with Sue McGraw, the CEO of St John’s Hospice, she and her husband decided to do something to support this local charity, so they set up the exhibit and held the recital.

The title of the exhibition – Here, There and Everywhere – refers to Heather’s abstract landscapes that beautifully took audiences to stages around the world.

As Heather was unable to travel for 18 months during the Covid pandemic, she has traveled to her many and varied beloved natural environments through painting.

The 86 oil paintings in his exhibition are the result of these reflections. 50% of all the money raised from the sale of Heather’s artwork was generously donated to St John’s Hospice, raising an incredible £ 4,500.

Heather, Edward and Peter.

The event was kindly sponsored by Sanlam Wealthsmiths, who ensured that all funds raised through ticket sales went directly to St John’s, with Peter also donating some of his CDs for sale that same evening.

Sophy Horner of St John’s Hospice said: “We are very grateful to Heather, Edward, Peter and Sanlam for this incredible fundraising effort for St John’s Hospice. It was such an inspiring evening,

“I really enjoyed Heather’s art and Peter’s music. It was nice to see new faces, and faces that we haven’t been able to see for a long time, supporting their local hospice.

“All of the money raised will help St John’s continue to care for patients with life-shortening diseases and also support their families, so thank you to everyone who supported their local hospice by being there.

Some of Heather’s paintings.

“Like many, I look forward to May when Peter’s string quartet, the Kreutzer Quartet, will come to Lancaster for another recital to benefit St John’s Hospice.”

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Before seeing Van Gogh, learn about the 2 Jews who “discovered” him – St. Louis Jewish Light http://itsmardan.com/before-seeing-van-gogh-learn-about-the-2-jews-who-discovered-him-st-louis-jewish-light/ http://itsmardan.com/before-seeing-van-gogh-learn-about-the-2-jews-who-discovered-him-st-louis-jewish-light/#respond Sun, 10 Oct 2021 21:52:36 +0000 http://itsmardan.com/before-seeing-van-gogh-learn-about-the-2-jews-who-discovered-him-st-louis-jewish-light/

Beyond exhibitions

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Few artistic masters are as captivating as Vincent Van Gogh. We are not only captivated by his work, but the man himself, for his “reputation” definitely precedes him, in the form of legend, romance and tragedy. His work is fascinating with swirls of color juxtaposed with the often sad and lonely subjects he captures.

Yet Van Gogh’s paintings have accessibility, while providing a feeling and sense of place? Whatever reason his work touches you, it’s clear that van Gogh has entered the 21st century as a brand first and an artistic figure second.

Inna Rogatchi is a writer, scholar, artist, art consultant, filmmaker and author of highly regarded films on Simon wiesenthal The lessons of survival. Last year, she documented Van Gogh’s Jewish connections dating back just six months before the artist’s death in 1890. According to Rogaachi, the first positive critical opinion of Van Gogh’s work during his lifetime came from the Dutch Jewish artist of Joseph Jacob. Isaacson.

“Isaacson, who was a deep and well-educated person specializing in Jewish mysticism, realized the merits of Vincent’s art and wrote about it in the art magazine” The Portfolio “.

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Who is it that transmits, in form and color, the magnificent and dynamic energy that the 19th century refuses to realize? I know a man, a lone pioneer, struggling alone in the depths of the darkest night. His name, Vincent, will be passed on to posterity. There will be more to say about this heroic Dutchman in the future.

Unfortunately, according to Rogatchi, such praise for Van Gogh was rare during his lifetime, and it would be the Jews later who would catapult his work into the stuff of legends.

It would be during an exhibition of his work, 11 years after his death, that the world would truly realize his genius, thanks to a Jewish family and a Jewish art dealer.

In March 1901, a German Jewish art dealer by the name of Paul Cassirer arrived in Paris to see a Van Gogh exhibition at the Jewish-owned Bernheim-Jeune gallery. Cassirer traveled to Paris after reading an article written by Julius Meier-Graefe, a German Jewish art historian who would later write a fascinating biography of Van Gogh.

“Meier-Graefe noted and understood Van Gogh like no one else has before him, and it was largely thanks to him that the German public received his deep and brilliant appreciation which really made Van known. Gogh in Europe, ”Rogatchi wrote. .

Cassirer fell in love with Van Gogh the second he entered the Bernheim-Jeune galleries. He immediately arranged to “borrow” five Van Goghs and returned to Germany. He would then spend the next 25 years pursuing Van Gogh’s paintings while strengthening the artist’s appreciation and fame.

Just before the start of World War I, Cassirer had exhibited 14 Van Goghs in his Berlin gallery, and through his efforts Van Gogh’s fame grew, first in Europe and then around the world. By 1914, according to Rogatchi, “German collectors, in large part, as well as some museums, owned as many as 120 oil paintings and 36 drawings by Van Gogh, the master whom no one had heard of a long time ago. little more than ten years. It was an extraordinary boom that has no precedent in the history of art.

And two Jews, Julius-Meiero Graefe and Paul Cassirer were the reason.

“I think it was the paradox of the brilliant mind of these great Jewish men that enabled them to grasp the genius of Van Gogh,” Rogatchi wrote. “They were so right. There has not been and there will never be an artist like Vincent Van Gogh. And our deep thanks should go to both of you for realizing the magnetism of Van Gogh’s unresolved mysteries so early for the good of us all.

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Art memories http://itsmardan.com/art-memories/ http://itsmardan.com/art-memories/#respond Sat, 09 Oct 2021 15:50:27 +0000 http://itsmardan.com/art-memories/ Taber Art Gallery reopens

After being closed for more than 18 months due to the pandemic, the Taber Art Gallery at Holyoke Community College has reopened and now hosts the “Cosmology of the Body” exhibition by Northampton artist Anna Bayles Arthur.

The 27 paintings and drawings by Arthur, who earned a Masters of Fine Arts at the University of Massachusetts Amherst, represent the work she has created in recent years, including since 2020, when the pandemic, the climate disaster and other serious issues began to dominate media coverage. , she says.

“We live in a media saturated culture, are bombarded with images, sounds, symbols and stories on a daily basis,” Arthur said in a statement. “Yet somehow the old desire to create remains – the impulse to channel all that it is and reveal it to the world.”

Taber Gallery Director Amy Johnquest, after hosting a few online exhibitions through the gallery over the past year, says she is grateful to welcome people back to the space and welcome the work of Arthur: “[T]here, nothing like seeing the art in person.

“The Cosmology of the Body” runs until December 9th.

Pioneer Valley Symphonyback with streaming concert

Returning to performance with a series of concerts online and in person, the Pioneer Valley Symphony will kick off its 2021-2022 season this Saturday, October 9 with “Prelude to a New World”, a streaming concert featuring the tumultuous “Les Préludes” “Followed by Antonin Dvořák’s masterpiece” From the New World (Symphony No. 9).

The show, which begins at 7:00 p.m., will be prefaced by a talk at 6:15 p.m. with Professor David Schneider, Andrew W. Mellon music professor at Amherst College.

PVS, now in its 89th year, was recently filmed at the Northampton Community Arts Trust for the concert, using the building’s spacious and unfinished 3,800 square foot workroom to meet the challenge of having a large group of musicians playing at the amid the continuing health problems of the pandemic.

Symphony leaders are planning two more online performances this year and have scheduled three in-person shows in late winter and spring 2022.

Tickets for the October 9 concert are offered by donation, with a suggested gift of $ 15. To register for the concert, which can be viewed on a smartTV or other internet-connected device, or via Zoom (with an evening of community watch and post-concert chat), visit pvsoc.org.

The exhibition showcases decades of work by the artist Amherst

Leverett Crafts and Arts Center is presenting a retrospective exhibit this month on the art of Sally Dillon, who is particularly known for her fiber art but who has worked in a number of mediums dating back to the 1960s.

Dillon started with bronze casting in the 1960s and turned to fiber art in the 1970s, making upholstered sculptures. She then devoted herself to felting, silk painting and wall art design; For the past decade, she has focused on watercolor and oil painting.

Many of his subjects are drawn from natural environments and activities: hiking in western Massachusetts, rafting in the Grand Canyon, visits to the Virgin Islands.

There will be an artist reception on Sunday, October 10 at the Crafts and Art Center from 1 p.m. to 5 p.m. The exhibition will run until October; visiting hours are noon to 4 p.m. Tuesday to Friday and 10 a.m. to 5 p.m. Saturday and Sunday.

Mass Humanities finances cultural organizations

Mass Humanities, the state affiliate of the National Endowment for the Humanities, has awarded more than $ 84,000 to eight valley organizations through the U.S. Federal Rescue Program, an effort to help arts and cultural organizations that have suffered economic losses during the pandemic.

Local groups receiving support include the Porter-Phelps-Huntington Foundation in Hadley, the Jones Library in Amherst, the Amherst Historical Society, the Nolumbeka Project in Greenfield, and the Wistariahurst Museum in Holyoke.

Known as the SHARP Grants – Sustaining the Humanities through the American Rescue Plan – these funds were intended specifically for small organizations, with more than half going to grantees with budgets of $ 300,000 or less, according to Brian Boyles, executive director. by Mass Humanities.

Some 90 SHARP grants totaling nearly $ 1 million have been awarded statewide, according to Northampton-based Mass Humanities.

Group of writers launch ‘beyond borders’ program

Pioneer Valley Writers’ Workshop (PVWW) is launching a new project designed to promote dialogue among writers of all cultures and continents by organizing discussions with talented emerging writers from politically or socially unstable parts of the world.

The Writing Across Borders series, which will work with a writer each fall, aims to provide star writers with a platform to share their work and personal story, and in some cases, will also support writers seeking asylum and / or trying. to flee from dangerous parts of the world.

Joy Baglio, the founder of PVWW, says her group, located in Williamsburg, is currently working with Nigerian writer Uchenna Awoke, whom she met in 2019 while they were both fellows at the Vermont Studio Center, which hosts a range of fine arts and writing residency programs. , especially for international artists.

Awoke, Baglio said in a statement, is “an immensely talented writer” who had just completed his first novel when the two met and “was preparing” to begin interviewing agents.

But she says the rural area of ​​Nigeria where Awoke lives has since been rocked by conflict between semi-nomadic herders and farmers, resulting in economic disruption and poverty in communities dependent on agriculture. Awoke, his wife and sister have now gone into hiding following attacks and threats in their community from a militant shepherd, Baglio said.

“Her hope is to flee Nigeria for a safer country,” she said. This fall, all donations made to PVWW’s free monthly community writing program will go to a fund to help him and his family flee Nigeria and relocate, most likely to Northampton.

To facilitate this, PVWW will be hosting a free online reading and chat on October 24 at 4 pm with Baglio and Awoke; the Nigerian author will share his fiction and discuss his journey as a self-taught writer at MacDowell Fellow. More information is available at Pioneervalleywriters.org.

– Compiled by Steve Pfarrer

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Talented Flintshire Artist Chases Business Dream After Reaching Animal Extinction Competition Final http://itsmardan.com/talented-flintshire-artist-chases-business-dream-after-reaching-animal-extinction-competition-final/ http://itsmardan.com/talented-flintshire-artist-chases-business-dream-after-reaching-animal-extinction-competition-final/#respond Fri, 08 Oct 2021 10:13:17 +0000 http://itsmardan.com/talented-flintshire-artist-chases-business-dream-after-reaching-animal-extinction-competition-final/

A talented artist from Flintshire has had success in a global conservation competition.

Sonia Garner was one of the finalists shortlisted from 1,000 entries from 47 countries for the Explorers Against Extinction Sketch for Survival competition, raising awareness of catastrophic issues including habitat loss, illegal wildlife trade and climate change.

And now the mother-of-two, from Whitford near Holywell, plans to open a studio, launch a new website, and pursue a lifelong dream of turning her creative passion into a successful start-up.

Sonia has produced hundreds of pieces over the years, from acrylic and oil paintings to sculptures and soft pastel sketches.

With her strong following on social media and the support of her husband Mark and children Joséphine and Kacie-Jane, she is ready to take the leap full-time.

Business Wales has been there with expert advice and guidance, and now – with the result Sketch for Survival giving her a boost of confidence – Sonia plans to turn her vision into reality.

“I’ve always painted and had a natural talent for it, but it was never something I did in the background,” Sonia said.

“I was very shy growing up and that was the only real way to express myself, so it’s something that means a lot to me.”

“I also love animals and wanted to be a vet when I was younger so I guess painting them is the best thing to do!”

“Being chosen as a finalist by Explorers Against Extinction has given me an additional conviction that I can and must do what I love and take to the next level, and that’s exactly what I’m going to do. “

The family business saw Sonia travel all over the UK and attend different schools – from Swinton to Doncaster – before settling in North Wales.

She worked in manufacturing and administration and continued to draw and paint in the background, but with a blank canvas and renewed conviction the next step is to mix passion with commerce.

“I had wanted to be an art teacher when I graduated, but it never was; it occurred to me after years of working in administrative roles and being a mom to young children that I was going to regret if I didn’t do something, ”said Sonia, a former fine school student. -arts at John Moore University in Liverpool.

“I put the brushes down for a while, but over the last few years I’ve been prolific, it’s been non-stop, and not just animals as I’ve painted landscapes, seascapes, portraits and more.”

“I can cover most subjects, but I have a great passion for wildlife and conservation, especially endangered animals, which is why I entered the competition with the portrait of a wild dog. . “

“This will now be auctioned off for the charity, so in addition to the honor of being shortlisted, the piece will help the organization.”

Sonia is looking to give back to her community and feature in regional exhibitions, before opening a studio and meeting demand for her incredible works of art.

“I’m just going to go,” she said.

“Turning this into a business is a difficult thing to do as creatives tend not to be commercial, but I’m very determined to make it a lasting success. “

“It’s terrifying and exhilarating at the same time, but I’m delighted to see where my art takes me. “

For more information, visit www.soniagarnerfineart.com and follow Sonia on social media at @soniagarnerartist.

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